BOOKS
BOOKS
Michelangelo at Midlife
and Rick Steves books & TV
Travel, history, music, poetry, the arts, personal life events, humor, and the shared universe of Big Ideas… all find expression in Gene Openshaw’s work.
His most recent book, which combines them all, is…
MICHELANGELO AT MIDLIFE: CHASING THE TOMB OF JULIUS II
A traveler’s quest for Michelangelo’s most troubled masterpiece.
FROM FLORENCE TO PARIS TO ROME, a man crisscrosses Europe in search of Michelangelo’s most notorious work: the Tomb of Pope Julius II. Along the way, he teams up with an intriguing Italian woman who opens his eyes to the artist’s troubled inner life and the personal struggle they all share—an acute midlife crisis…
Michelangelo at Midlife is typical of Gene’s work: ambitious, operatic, and hard to classify. It’s a hybrid, weaving two stories together, one fictional, one nonfiction. “Michelangelo’s story wrapped in a 21st century novel,” as one reviewer put it. At your local bookstore, you may find it variously shelved under “Biography,” “Art,” “Travel Literature,” or just plain “Fiction.”
The core of the book is Michelangelo’s story—his 40-year struggle to complete what he hoped would be his magnum opus. Incredibly, this is the only non-scholarly book (that is, “readable”) about the much-talked-about but little-known Tomb of Julius II.
But that’s just the start. Gene himself described how the book evolved as he wrote it: “It began as a purely nonfiction account. But I wanted it to have a sense of ‘place,’ so I added a modern traveler following in Michelangelo’s actual footsteps. Next, that traveler became fictional, to add a dramatic layer. Then I realized the traveler—though highly fictionalized—was kind of like me, and, suddenly, whoa! this is my story!”
The book kept growing. An array of colorful graphics (by Dave Hoerlein) and elegant design (by Sandra Hundacker) transformed the book from a story of words to one also told visually. Taken together, all those elements aim for an emotional impact that’s greater than the sum of the parts. With its evocative travelogue, colorful images, and history detective story, Michelangelo at Midlife is a fast read for lovers of the arts with a romantic streak.
“This is an entertaining treat, especially for art lovers and wanderlust-afflicted travelers looking for a breezy read.” -- Kirkus Reviews
“Like a trip to Italy: edifying, informative, and unpredictable.” -- BookLife Reviews
Michelangelo at Midlife is available wherever you get your books—in print, e-book, or audiobook. Consider supporting your local brick-and-mortar bookstore (rather than Amazon) by ordering it directly from them.
RICK STEVES BOOKS
Gene and travel guru Rick Steves met in 7th grade and have been collaborating off and on ever since.
Together they’ve written numerous books and TV shows, with Gene specializing in making Europe’s history, art, and culture accessible to the traveler. Their guidebooks (to Paris, Rome, London, etc.) are some of the best-selling in the English language. The full-color art book “Europe’s Top 100 Masterpieces” is a breezy overview of Western art with full-color, full-page illustrations. “Europe 101: History and Art for the Traveler” is still going strong after four decades.
For PBS TV, Rick and Gene have co-authored a number of specials, such as “Fascism in Europe,” and the ambitious six-hour documentary covering the entire history of “Art in Europe.” Gene has also produced dozens of audio tours, where Rick guides travelers through historic sites.
The adventures of Rick and Gene traveling across Asia are documented in Rick’s published journal, “On the Hippie Trail.”
M@M NEWS
Michelangelo’s Moses for the Tomb of Julius II—the very picture of smoldering anger.
In the middle of the especially hot and sticky summer of 1542, Michelangelo was reaching his boiling point over the Tomb.
He’d already endured nearly four decades of delays and detours caused by fickle popes and rich patrons.
And now, just when he thought he was free to resume work on the Tomb, came a double dose of meddling.
Pope Paul III was ordering him to backburner the Tomb to paint the Vatican’s Pauline Chapel.
Meanwhile, the powerful Rovere family was suing him for unfinished work.
He found himself stuck in the same situation he’d been in for years—caught between the whims of two powerful factions.
“It’s driving me mad!” a frustrated Michelangelo said.
But this time, Michelangelo was determined to not back down. He knew he was the golden goose laying everyone’s artistic golden eggs.
And after all these years he’d had enough. He wrote a letter, laying down the law.
“Basta!” he wrote. “Enough!”
First, he blasted the Rovere, calling them out for what they were—“a bunch of good-for-nothings.” Then he warned the pope that if he was forced to paint the Pauline Chapel, he would “paint unhappy, and the result will make everyone unhappy.”
Michelangelo’s little tantrum worked. Both sides backed down. And Michelangelo finally got what he’d always wanted:
They were going to let him finish the Tomb.